The doors are open!

Spectacular opening of the Deeper Voice of Textiles exhibition on Friday night in Newcastle, NSW, - thankyou so much to all the 'men of fibre' who joined the project with such courage and energy.

More blog stories soon about this project as the dust settles!

Don't miss the chance to see the exhibition this weekend:
22nd - 23rd April 2017 9.00am - 5.00pm
23 Tudor St, Hamilton, Newcastle NSW 2303, Australia

Self Contained

Sean McGilvray is no stranger to creativity, running the business Contain Yourself from a large industrial unit in Mayfield, Newcastle, NSW, his enthusiasm and energy for sustainable and affordable housing for everyone is engaging.  In the crazily unsustainable world we now live in many shipping containers are expendable and no longer shipped back and forth as you might expect but discarded after one or two trips as if they were cardboard boxes. Sean's business elegantly repurposes these containers for domestic use in Australia and he is also currently crowdfunding to share his projects worldwide. So what will Sean be creating for Deeper Voice of Textiles? Contained space of course - we await technical updates!

Skin & bones

Delving into a box of bones tattooist Ben Graham looks for vertebra as we discuss how his work will be displayed in the forthcoming Deeper Voice of Textiles exhibition. Highly skilled and obviously in demand working for tattoo studios in both Newcastle and Sydney, Ben is equally adept at wire sculpture and stone carving alongside his ink draughtsmanship. Combining found teeth and bones with recycled wires and plastics his exhibition piece will certainly demand your attention - looking forward to the resolution Ben.

Spiky vessels and Moroccan twining

It's not easy to catch up with Murray Regan! He's a busy man and sorting out everyone's plumbing and solar energy needs at Hamilton Plumbing is a demanding job - so when we finally tracked him down in a spare moment we were delighted to find him well on with his sculpture project for the Deeper Voice of Textiles project. Using discarded piping and redundant valves, tanks and solar power glass tubing Murray is building a spiky vessel that will demand attention and speaks of his concerns to promote environmentally friendly technologies -  almost to prove the point a tiny Skink popped out of one of his recycled valves to say hello!

While discussing his project in hand I couldn't help noticing a beautiful twined Moroccan carpet covering one of his collection of vintage motorbikes. Purchased on a trip to Morocco many years ago the carpet still looks great in it's new surroundings. Great to see beautiful fine craftsmanship however it is used!

 

Aftermath - Flora Friedmann, Meri Peach & Glenese Keavney at Timeless Textiles

Above:  'Green shoots begin to sprout' Glenese Keavney.
Bangalow Palm leaf sheath, cotton fabric, glass beads, linen thread 

Stitched, twined, bound, coiled, looped and stapled - the diverse work of three Australian basketmakers may be seen in it's final exhibition week at Timeless Textiles in Newcastle, NSW, this week. Flora Friedmann, Meri Peach and Glenese Keavney in their second successful trio exhibition at the gallery developed the theme 'Aftermath' after a variety of personal challenges and adversities. 

Meri Peach talks of her reflections on the theme and the use of baskets in wartime:

"Basketry has been used in war, among other things, to carry ammunition, wounded individuals and body parts, and in some societies, as the shields and armour worn by soldiers. Basket making was also used after both World Wars as an activity in the rehabilitation of wounded soldiers. These things were in my mind as I made some of my pieces, particularly the silver ones that resemble sharkskin, a very tough and protective substance that I once studied up close in my days as a marine biologist. I have used these baskets as something to hide in and to hide behind, while simultaneously trying to get my messages out to the world."

Materials natural and recycled come to together in a variety of forms presenting the viewer with both beautiful and intricate textures and the challenge of  developing narratives that link the presented works with the thought processes and creative decisions of the makers. Reading the personal statements from each of the three makers it is touching to see the intricacies and thoughtfulness of their highly personal, creative and sometimes therapeutic journeys - however I urge you to visit the exhibition and for a moment share their optimistic vision. 

Exhibition continues till Sunday 9th April 2017. 

Above: 'Coming undone' Flora Friedmann.

Cane, Bangalow palm, Red Hot Poker, Aunt Eliza, Montbretia, Iris, Spider plant & jute cord.

Below: 'Pulling it all together' Flora Friedmann.

Bangalow palm leaf sheath, dyed cane, waxed linen thread.

Above: 'basket for Kate' Meredith Peach.

Plastic packaging, permanent marker, gaffer tape, rattan, synthetic cord

Below: 'slow growth' Meredith Peach

Packaging (fused metal foil and plastic), permanent marker, polyester thread; telephone wire

Above & below: 'Working with what comes to me (II)' Glenese Keavney.
Distressed found timber, Danish willow, Tegasuri cotton tape, telephone wire