a fibre art project lead by Tim Johnson in association with Timeless Textiles
Saturday, 4 March 2017
Back to the land of the bowerbird....
By Monday night I'll be back in the land of the bowerbird! Exciting times as I embark on a 2 month trip working on a sculpture project 'Deeper Voice of Textiles' in Newcastle, NSW, Australia in collaboration with Timeless Textiles - the foremost contemporary textile gallery in Australia. More of this project to come - but first back to the bowers - in this case photographs of the bower or dancing ground of the male Satin Bowerbird that I photographed on my last trip in 2015. Since childhood I've been fascinated by these birds and their constructions built not for nesting - but display and attracting a mate. Interwoven twigs are combined with a variety blue trinkets gathered from the locality - in this case the family home of Harriet Goodall (thankyou for hosting me Harriet!).
In 2000 I took up an artist's residency with the New England Regional Arts Museum in Armidale, NSW, after the residency I then travelled on to Alice Springs and the Olgas in the central desert region of Australia, here I was lucky enough to catch up with the Western Bowerbird noisily feeding around the dry river beds. Onwards and up to Caiman Creek in the Garig Gunak Barlu National Park in Arnhem Land, NT and the Great Bowerbird with it's spectacular bower decorated with shells, bones, mangrove nuts and a bouquet of greenery - below you can see a scan of one of my 35mm slides from my trusty old Olympus OM1.
Above - Great Bowerbird's bower, Caiman Creek, NT
Below - Satin Bowerbird's bower, Robertson, NSW.
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